This book explores the concept of the end of literature through the lens of Hegel's philosophy of art. In his version of Hegel's 'end of art' thesis, Arthur Danto claimed that contemporary art has abandoned its distinctive sensitive and emotive features to become increasingly reflective. Contemporary art has become a question of philosophical reflection on itself and on the wo...(展开全部)

Jarrad Cogle Melbourne, Australia

Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair--such are the obstacles in the way of the unnamed narrator of "The End of the Story "as she attempts to organize her memories of a love affair into a novel. With compassion, wit, and what appears to be candor, she seeks to determine what she actually knows about herself and her past, ...(展开全部)

Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair--such are the obstacles in the way of the unnamed narrator of "The End of the Story "as she attempts to organize her memories of a love affair into a novel. With compassion, wit, and what appears to be candor, she seeks to determine what she actually knows about herself and her past, ...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto’s first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narr...(展开全部)

"The Hillbilly Elegy of France . . . The End of Eddy, however, is not just a remarkable ethnography. It is also a mesmerizing story about difference and adolescence, one that is far more realistic than most.” ―Jennifer Senior, The New York Times "Canny . . . brilliant . . . a devastating emotional force.” ―Garth Greenwell, The New Yorker “Louis' account of growing up gay and po...(展开全部)

"The Hillbilly Elegy of France . . . The End of Eddy, however, is not just a remarkable ethnography. It is also a mesmerizing story about difference and adolescence, one that is far more realistic than most.” ―Jennifer Senior, The New York Times "Canny . . . brilliant . . . a devastating emotional force.” ―Garth Greenwell, The New Yorker “Louis' account of growing up gay and po...(展开全部)

As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strateg...(展开全部)

乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。